Label: 4AD
Grimes' music has frequently sounded like pop music for the end of the world, so it makes sense that she leans into that mood on Miss Anthropocene.
On her fifth album, she taps into mythology's power to make vast forces easier to comprehend by envisioning climate change as a demon-goddess pop star (as hinted at by the title's clever blend of "misanthrope" and "Anthropocene").
Humanizing the harm humans have caused to the environment by evoking deities of destruction and the singles chart is an intriguing concept that Grimes commits to completely. She trades the surreal, hi-def brightness of Art Angels for a murky mix of ethereal, nu-metal, and industrial-inspired sounds that call to mind a thoroughly polluted world: The tempos are sluggish, the atmosphere is thick, and guitar riffs struggle to emerge from processed sludge.
Miss Anthropocene is often fascinating and defies expectations in ways that still fit her always thought-provoking aesthetic.